Train to Hanyang.

Mini-Review: Kingdom

I have been amiss with my K-drama viewing for more than a year. I simply don’t have the time, energy and attention span for it lately. However, Netflix released its first original Korean series called Kingdom, which is often described as a “medieval Korean zombie movie” or as some put it, “Train to Busan meets Game of Thrones“.

I’ve never seen Game of Thrones – yup, surprise! I’m one of the few – but I have seen Train to Busan and I’m a veteran of K-dramas. The plot seems interesting. And most of all, this series only has six episodes. It should be easy to binge watch on a weekend. I added it to my watchlist right away.

Guess what: it’s not the weekend, and I had planned on popping in just a couple of episodes last night until I fall asleep. I ended up marathoning the entire thing and slept at 2:30 in the morning. :sleep:

Kingdom has all the elements of a classic sageuk (Korean historical drama): the political intrigue, the lies and conspiracies, the power grabbing, the prejudice among classes, the violent resolution to anything. Throw in a horde of zombies in there and literally, all hell breaks loose. It’s brilliant how the screenwriter and director were able to fuse these two plots seamlessly. I even find it hilarious that there’s discrimination among classes even among the undead. Only on sageuk, folks! :lmao: This isn’t just blood and gore and mayhem – don’t worry if you’re watching this for that, though, there’s a lot of that in there, too – it also has a story. A very familiar story to those who have even the slightest knowledge of Korea’s history and culture. I won’t go into too much details so as not to spoil it for others.

Acting wise, the entire cast delivered. Joo Jihoon is simply perfect as the Crown Prince Lee Chan. He’s no stranger to royal characters; remember his breakthrough role of Shin Goon in Goong? But I think Joo Jihoon has improved by leaps and bounds in terms of acting here. Every scene he’s in is believable. Even his moments of PTSD looked painful to me as a viewer, but in a good way.

I think I’ve only seen Ryu Seung Ryeong in movies where he played an evil palace official, and I’m not surprised. He has mastered the art of playing one.

I’m kinda disoriented seeing Bae Doona in a role where she wore a lot of clothes. :hihihi: She has always portrayed strong female characters, but her role here required her to be strong, but with a timid quality of a peasant during the Joseon era. I think she nailed it.

But the best part of Kingdom for me is its production values. The cinematography is just gorgeous. :arrow: Joseon-period Korea looked so beautiful here. The royal costumes looked elegant. I even saw some Tweets noting the hats that the characters wore. You know, fighting zombies in fabulous hats and all that. :lol: There’s authenticity in the costume design. It’s not like in other productions where we see stuff like the clothes still looking immaculate after a fight scene in the mud.

Most of all, I was fascinated at how the director choreographed, framed and shot all the zombie swarm scenes. The exciting chase scenes gave the adrenaline rush, but nothing beats those quiet attacks that are both eerie and haunting at the same time. You’ll find yourself staring at the screen no matter how squeamish you are at all that blood and gore.

As for the story and screenplay: viewers who are not so familiar with Korean period dramas might find the slow-burning presentation of the plot and characters a bit too lengthy. I mean, we won’t see actual zombies until the end of episode 1. But as I’ve said, the story is essential to this zombie series and it wouldn’t hurt to learn more about how things became what they are. What I love about Kingdom is, it knew exactly how to make its audience thirst for more. It will leave you wishing that it had 20 more episodes. Or at least, a Season 2 that’s just right around the corner.

(Image credits: Netflix)

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Not like it used to be.

Hi! I’m Agent P, and I’ve just been addicted to online TV.

Yes, I am slow. :lol:

It started when my local cable provider sucked big time. Coincidentally, Globe offered to upgrade by net connection at home and threw in this lovely contraption called an Android box which allowed my not-too-smart TV to connect to the internet via WiFi and let me install these lovely streaming apps and watch it on the big screen. Since then, I dropped my cable subscription and signed up for everything that’s available in my country: Netflix, iFlix, HOOQ, Fox+, with YouTube and Viki thrown in for good measure. Thanks to these apps, I was able to update myself with the latest on K-entertainment. I haven’t really plunged myself back to the world of K-dramas, though; too much commitment for that. :P But I have been watching a lot of Korean variety shows and music clips, so I’ve been a little bit abreast with the latest trends.

Nowadays, I’ve been literally hooked on HOOQ. True confession: the only reason why I signed up on HOOQ is because they have Alden’s drama series, Victor Magtanggol, on their line-up. :hihihi: However, I discovered that HOOQ has a vast collection of classic Filipino movies and TV shows as well as a good number of indie films. It’s the classic movies that had me deciding to continue my subscription after the free trial period expires. Finally, I can watch those movies any time I want instead of waiting for it to be aired on Cinema One or PBO. I have practically the entire roster of Regal Films movies from the 80’s on my playlist. :hihihi:

Which brings me to this anecdote. (Damn, I sound so random. :grin: Then again randomness has always been my blogging style, so whatever.) One of the first old Pinoy movies which I watched on HOOQ is Ten Little Indians, released in 1982 and starring William Martinez; Herbert Bautista (now Mayor of Quezon City) and his two siblings Hero and Harlene; and the WEA Twins. (How classic is that? :lol: )

I just remembered seeing it at a movie house when I was a little kid and remember crying buckets over it, so I checked it out.

I got the shock of my life.

The movie started out just like a typical Regal movie in the 80’s (although this one was actually released by Good Harvest Films, a subsidiary of Regal). William’s character was a mentally-challenged guy who has fantasies of being a cowboy who hates Indians (as in Native American Indians). At one point, while in his cowboy fantasies, he kidnapped a bunch of children and their teacher, because they wore costumes as the ten little Indians for a school program. That alone is reeking of political incorrectness.

And then it gets uglier.

While in the mountains, cowboy and Indians eventually developed affinity with one another until they chanced upon a group of gangsters. The gangsters beat up the cowboy; raped the teacher in front of the kids (!); verbally abused the female children through sexual innuendos; attempted to rape one of the girls because the gangster wasn’t satisfied with the teacher (!!!!!) (there’s even a cringe-worthy scene where they were asking the girls’ ages and found the 8-year-old ‘too young’ while the 10-year-old ‘pwede na‘ Oh God that was disturbing); shot and killed one of the boys point-blank, in front of the others; and two other boys got killed so that the rest of them can escape.

I was thinking: if this was shown today, it would definitely be slapped with an R-18 rating. That is, assuming it gets shown at all. I’m pretty sure it will generate a lot of disapproving buzz from netizens who always find something to complain about.

And then it hit me: I saw this film when I was a child. At a movie theater. I don’t even remember who I saw it with, but most probably my cousins who were also minors at the time.

I don’t remember finding it offensive at all. Or did I even understand what was going on then?

Times have really changed.

===

Speaking of things that have changed…

I saw these from my social media feeds today.

1. Mr Weatherman’s fanmeets now have mandatory group photo ops with the attendees;
2. One Filipina Shinhwa Changjo was recognized by some Shinhwa members at an event in Korea. As in the members know her by face and name;
3. Shin Hye Sung wore a Penshoppe hoodie, given by a Pinoy fan.

I wonder: if I didn’t give up on the Kpop scene, maybe someday I’ll finally get my moment with my Korean idol? In 20 years, maybe? Most of my fellow Clouds got it at the 13-year mark…

This last paragraph is random as hell. :lmao:

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Boss Madam.

Backstory:

A few years back, I was a transferee at a new audit team and was super-delighted to know that this new team has a TV set in its field offices. Why? Because, at last, I wouldn’t have to wait for episodes of The Ryzza Mae Show to be uploaded on YouTube so that I can watch it. Yes, I was a staunch follower of Ryzza Mae Dizon ever since she won Little Miss Philippines in 2012 and became known as “Aling Maliit” on Eat… Bulaga!

The thing is, the TV sets were requested by my then-Team Leader because she’s addicted to the rival show (Be Careful With My Heart). But since Be Careful… would usually be aired at around 11:45am, we would catch the first 15 minutes of TRMS before she switches channels (at which, I would later on download the TRMS episode to watch it in full). Eventually, even she got smitten by Ryzza’s charms that Be Careful… was forgotten and the TV channel would stay until Eat… Bulaga!

Forward to the latter part of 2017.

I very rarely tune in to Eat… Bulaga! by that time, particularly during J4A; no need to ask why, I guess? I do remember tuning in one time during lunch at the office and found myself laughing my ass off at Ryzza’s antics as the new Barangay Jokers character, Boss Madam. :lmao:

I’ve known Ryzza to have that innate wit and comedic timing, and this segment is her chance to show to the world once again why she was tagged as the Phenomenal Child Star some five years ago. I mean, she did not have the distinction of being the youngest talk show host for nothing. She still has that charisma, and years of experience working with the country’s top comedians have honed her craft. :thumbup:

Boss Madam is already a hoot, as it is, with Ryzza Mae, Hopia and the TMB boys (Miggy, in particular), but you know, Eat… Bulaga! did not reach 39 years in the business by resting at their laurels. (I mean, they did have some lulls, but they always manage to bounce back.) It’s 2018, so it’s time to introduce new characters to spice things up. Enter Boss Madam’s driver, Patrick, and the new Executive Assistant, Kendall. Characters played, much to everyone’s surprise, by Alden Richards and his PA, Mama Ten. :shock:

Alden playing Patrick without much of a prior clue was already a surprise, but Mama Ten playing the Executive Assistant? To say we were stunned by the appearance of the “28 year-old stunner from Laguna” was an understatement. I can practically hear the collective “HUWAAAAT!!!” from the viewers, even those who are not Alden fans but are familiar with Mama Ten. And she played the role with so much flair. Those of us who are familiar with Alden and Mama Ten’s dynamics in real life are now looking forward to every episode just to see the role reversal, since Kendall is Patrick’s immediate boss in the story. We want to see Mama Ten bully Alden for once. :hihihi: Whoever thought of casting Mama Ten as Kendall is a freakin’ genius. :clap:

So now, I am once again locked down on my seat at the pantry every lunch hour to tune in to Boss Madam. And I’m not the only one.

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Manang and me.

Second blog entry in a row. And there’s a third one coming up. I’m on a writing mood and I’m taking advantage of it. :hihihi:

I’ve just finished watching Dear Uge: Manang and Me featuring Alden Richards, Odette Khan and Lloyd Samartino. This episode basically proves two things: (1) that Alden Richards is quite capable at being effective in comedy, and I’m going to be fair here and say that his being part of Eat… Bulaga! and Kalyeserye played a huge role for that; and (2) Alden Richards has chemistry with EVERYONE he is paired with, and that includes Odette Khan. (And Eugene Domingo, too, even if they only had one short scene together.) I just love seeing him and Ms. Odette together onscreen. I’m not sure if they’re close in real life, but they truly made the relationship between the Brian and Manang characters very believable. That last part where ‘Manang’ made a surprise appearance for ‘Brian’ and they were hugging as if they truly missed each other? That was just lovely. :drool:

I wish for Alden and Ms. Odette to have a another project together, preferably something longer like a movie or drama.

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My Korean Jagiya.

I’ve been out of touch with anything Korean these days. To be quite honest, I never expected that the one who would push me back towards it is this guy.

A bit of back story: since I’m more in touch with local entertainment these days – Kapuso Network, to be exact – I’ve been hearing a lot about this breakthrough Phil-Kor production called My Korean Jagiya, starring Heart Evangelista-Escudero. The network has been hinting that Heart’s leading man is a Korean idol, and people have been guessing who this idol will be. The two most popular guesses are Lee Joon (I don’t know why?) and Alexander Eusebio (because UKISS, and he’s been here many times before both with the group and as a solo artist). Yesterday, the network has made a formal announcement and yep, it’s him! Alexander Lee (Eusebio)!

Those who have been reading this blog before the Alden era would know that I have been extensively following Xander since the UKISS days. I have a long history with this guy. It is but natural that I will be following his new journey as an actor in a Philippine-made drama. I’m already excited about My Korean Jagiya, and knowing that Xander is the male lead made me anticipate it even more. :thumbup: Congrats, Xander, and welcome back to the Philippines! And advanced Happy Birthday, too!

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